(funky rock music) – Hello, guys. Welcome back. This is Gabor "Gabs" Dornyei
here at the Drumeo studios. Today I'm going to
teach you a groove that is recorded by
everybody's favorite, the great Vinnie Colaiuta, on a Sting number
called "7 Days." Let's get to the groove. So the first application will
be the top line of the chart that you can see on the
bottom of the screen. This is probably
the most simple way you can play a five four groove.
Okay? So "Seven Days,"
the song is in five four. Now, you're going to play
quarter note to the high hat, beat one on the bass drum,
and beat four on the snare. Just like this. One,
two, three, four five. One, two, three,
four, five. One. (mumbles)
(drumming) In the second line
of the notation, you find the first
little bit tricky thing, that we're going to accent every second note
on the right hand. Now the reason for
that is because Sting
wanted the audience to feel that the
song is in four four, while actually, the
meter is in five four. So, your accents will fall on the one, two,
three, four, five, one, two, three, four, five,
one, two, three, four, five, one, two, three, four, five,
one, two, three, four, five, one, two, three,
four, five, one.
Okay? And then,
as the next step, in the next line you can see a dotted quarter note and
an eighth note bass drum, which is happening throughout
the whole song, okay? So that will be this. One,
two, three, four, five. One, two, three, four, five.
(drumming) So now you have the basic groove with the original bass
drum pattern happening, and the accent in the four four. Now we're going to start
adding the eighth notes, very quickly on the high hat.
One, two, three, four,
five, no accent so far. (drumming) One, two, three, four, five,
one, two, three, four, five. One, two, three, four, five,
one, two, three, four, five. Now, the same thing with the
original bass drum pattern. (drumming) Your third chart will show the
accent in a four four feel, but played as an eighth note. One, two, three, four, five,
one, two, three, four, five. (drumming) Same thing with the
final bass drum pattern. (drumming) Okay, so now that we
have the main groove that Vinnie plays
throughout the song, with the accented eighth
notes in groups of four, sometimes he also
opens the high hat, or plays the accent on the bell.
What I'm going to
demonstrate now is what if you opened high
hat on the accented notes, and leave the following
eighth note out. So you would have the …
(drumming) But that's going to happen
over a five four groove, so altogether you have this.
One, two, three, four, five. One, two, three, four, five.
(drumming) The second line of
the same notation is the opposite version
of the high hat openings. It would be something like this. One, two, three, four, five.
One, two, three, four, five. (drumming) So the next one. Check out
the fifth notation below. It's a shuffle beat
that Vinnie plays on the right bell occasionally, and some splashes, as a fill, sort of a build up
toward the choruses.
Now, the shuffle
beat would be this. One, a two, a three, a four,
if we were in four four. Right, because
we're in five four, the shuffle note's going to fall into completely
different places. This is pretty advanced,
so check this out. (drumming) And in your last clip today, we're going to start something that is an addition
to this groove. Well, we're going to play the shuffle beat on
the right cymbal bell. Keep the high hat happening
on the two and four. We should cross over the bar.
Let's say in the first bar it's
going to be a two and four. Second bar is going
to be one, three, and fifth quarter note, but the kick drum
pattern remains the same. So, at the end of the lesson, you're going to
have the right foot and the left hand
playing in five four. The left foot goes in four four. And the right hand plays
actually in three eight, which is the shuffle beat. Okay, so altogether
you're going to have this. (drumming) I hope you guys enjoyed
this lesson on "Seven Days." Please make sure to
visit drumeo dot com.
We have a lot of lessons there, all time signatures,
different groupings. There's a course with tHUNder
Duo that I recorded recently. Also, I have another
lesson titled "Percussive Drumming
and Independence." Please make sure to sign up
below, and visit drumeo dot com. Make sure to practice, spread
the word, spread the love, and keep drumming.
(psychedelic rock music).
Hey this is Eric from Native Instruments and in this video we are going to open TRAKTOR DJ 2 for the first time, check out the interface, and mix our first two tracks. When you start the app you will see the two decks here. In the center there's the mixer section and in this space above we will see visual representations of the tracks we are playing, called waveforms. We will take a closer look at all of this but the first thing we will need to do is to load a track into a deck. Tap the album art icon in a deck to bring up your track collection. This is where you'll see all the music you're able to play. The app comes with some tracks to get you started. Simply drag and drop one into the deck. You can see the track's loaded and the track's waveform is now shown here. Darker colors represent lower frequencies like kick drums and bass, while the lighter colors show higher frequencies like hi-hats.
The white lines represent the beat. So let's hit play to hear some music. You can shape the sound of what we hear using the mixer. Everything on the left side will affect the deck on the left, and everything on the right side will affect the deck on the right. These three knobs in the middle are the equalizer or EQ. They let you shape the sound by cutting or boosting either low, mid, or high frequencies of the track. So I could cut the kick or bass drum, or hi-hats depending on what frequencies of the track I want to mix with. To control these knobs I tap them and drag up or down to turn them to the right or to the left. A double-tap will reset them. I want to mix this with a new track and I could load any track from my collection But I could also look at which tracks TRAKTOR thinks would work well based on what's playing right now by just tapping this icon here. These tracks should all be easy to mix with what's playing. I'm just going to go with this one, and instead of dragging this time I can tap it to select, and then tap the deck to load it.
To mix the tracks gradually it's best to start with the volume fader for the second deck set to zero. Hit play, and bring the volume up to mix the tracks together. Alternatively, you can use to cross fader to raise the volume of the new track while decreasing the volume of the first. Double-tap to reset it. To finish off the mix, I can choose an effect like the reverb here. Open it up, and then slide the volume set of the first track to zero. Bam! This was your first mix! If you want to learn more about TRAKTOR DJ, just check out the rest of the videos in this playlist, and hit Subscribe.
hey what's going on everybody i hope
you guys are having an excellent day welcome to my channel if you're new to
this channel please consider hitting that subscribe button and that bell button
now you're here for a brand new lesson in today's lesson we're going to be dealing
with old school hip-hop grooves when i talk about old school hip-hop grooves i'm talking
about run dmc beastie boys eric b and rock kim tribe call quest and the list goes on and on
and on and on see what i did there every group that we're going to play today is all based
off of sextuplets so if you don't know what a sex tuplet is essentially all we're doing is we're
fitting six notes per pulse so if my pulse is here what i'm going to do is i'm going to fit six
notes every time i clap here so we have this one two three four five six one two
three four five six one two three four five six one two three four five six now the
proper way or i wouldn't even say proper way because there are many ways but the standard
way of counting it is like this one triplet answer play two triplet intro play three triplet
intro play fortune play interplay once you're playing enterprise two triplet and triplet three
triplet and triplet fortune play and your blitz again there are many ways of counting it
another way of counting it is like this africa bambada africa bambada africa
bambada africa bambada see what i did there another way of counting it and this is
my favorite way of counting it is like this ready go subscribe to my channel subscribe
to my channel subscribe to my channel scrubs i was just messing around with you guys all right
let's get back to it so now that you know how to count the sextuplet now we can actually get
to the examples in example one this is going to be our main groove everything that we do
from here on out is based off of this groove so the right hand is going to be playing
a shuffle so we have something like this one triplet and triplet two triplet and
triplet three triplet and triplet four triplet and triplet the snare drum is going to be playing
a backbeat on beats two and four and the bass drum is going to be playing on the downbeat of one and
on the end of three let's hear how this sounds example two is the same thing as example one the
only thing is we're going to add an extra bass drum but that exturbation will be on the third
partial of beat three let's hear how this sounds in example three we're going to play the same
groove that we played in example two however now we're going to add some hi-hat openings the
hi-hat openings are on the third partial and the six partial of b2 one tip i do wanna give you is
you're gonna use the tip of the stick that way it sounds light and also be a little bit easier to
actually open up the hi-hat and get a good crisp sound in example four we're going to play the
same thing that we did in example three however we're going to start it with a
paradiddle so we're going to go right left right right then the rest of it's the
same however let me give you a quick tip the left hand is going to go underneath the hi-hat
do not go outside of the hi-hat because it's going to take you a little bit longer to actually get
back to the snare drum so just a quick tip make sure you go underneath and you can actually
slice it alright let's hear how this sounds in example five we're going to do the same exact
thing that we did in example four however we're going to add a paradiddle on the last four
notes of the example let's check this out well here comes the most important part
of this lesson and that is applying these grooves to the actual music all the
music you're about to hear is provided by epidemic sound the affiliate link
is below check it out for 30 days experiment explore and have fun with
that now let's check out the musical examples so well thanks for checking out this lesson for
more lesson materials you can check out my website carlitomendoza.com and if you dig
what you see on this channel please please please hit that subscribe button hit the bell
notifications and i will see you next time you don't want to leave me you
mark this one both of you are seated here
are you not going in for the exams? I’m not going anywhere oh that exam that I didn't even read I can’t go in for an exam when I did not read how do you expect me to enter inside that
exam hall even this one i'm reading i'm not
even understanding it
a even me i did not read for this exam and i didn't prepare at all i don't want to fail this exam and i will not go
inside Mark i don't understand you don't want to go inside
and you don't want to fail the exams how? don't you know that if i go inside and write that exam i will fail it i don't want to fail it i have plan plan? you have a plan? what plan is that? see eh I will go inside the exam hall late by then they have finish writing the exam then I’ll tell tell the lecturer that eh…
My friend had an accident then I went to visit him then the lecturer will then
tell me to come back tomorrow and write my own exam by that time I will see the question that he set I will then study the questions and write the exam Mark how possible is that? if you do not write the exam today and
tomorrow you come back to write the exam what if he changes the question? why will he change the question? from now till tomorrow don't you know that all these lecturers are lazy he will not change the question i'm just waiting for them to finish
writing I will just rush inside and act like I'm in a hurry and you think that will work? it will work I tried it in my primary school it worked don't you know that if I fail this exam
i will just leave the school even you that had carry over if
you fail this exam now you will leave the school you will not graduate so it's better you join me to do this thing Mark you have a very good point but I pray this works it will work okay so how how do you go about it? all right class pens up submit your papers good afternoon sir good afternoon sir sir good afternoon good afternoon why are you students coming now we've
just finished writing the exam sir when we wanted to come for the exam our friend our coursemate our roommate our roommate had an accident accident? yes sir then we went to the scene of the accident and carried him to the hospital We saveed his life That's good of you You saved the life of your friend Yes sir Oh, that's good But like I said, we've just
finished writing the exam now You see, for the fact that you
did a wonderful thing you’re a good student I'll give you a second chance Okay You write your exam tomorrow Thank you, sir Thank you, sir It's all right So tomorrow you come back and write your exam we are very grateful sir Thank you, sir Thank you It is wonderful of you to save the life of your friend That's very good That is how we are we are just going around to save lives Yes, it's true sir that’s good So tomorrow then alright Okay You can go okay Thank you, sir see you tomorrow You are welcome Thank you, sir I promised you yesterday that I was going to set this exam for you And that's what I'm fulfilling now Yesterday your fellow students answered the 30 questions in this question paper And that is what I am to give you now But because you did something wonderful by saving the life of your friend I have decided to make your exam easier Thank you, sir Don't look back Don't make noise If I hear noise, this exam is cancelled That is your question As you can see, I have made your
exam very easy and simple Question number one what is the name of your
friend that had an accident? Question number two what is the name of the
hospital you took your friend to? And question number three where did your friend have that accident? You see yesterday your
fellow students had 30 minutes to answer their questions But this is just three questions It's so easy for you You can take all the whole
time in the world to answer these questions and I will take all the whole time in the world to wait for your answers And I'm very strict about the rules Do not talk to each other Do not look back no whispering And all your answers must
be the same if any of you answer…
something that is different from the others all of you have failed for me This is my last examination as a lecturer So I will remain with you here until
the time, the hour and the day you will submit your answer papers and your exams starts now Why are you turning your papers? You should start writing write I'm waiting You have all time in the world Hey I said no talking to each other i say no murmuring no murmuring Yes Our friend did not have accident We made that story up your friend did not have accident? Why did you lie to me? You should have told me this 50 years ago take take take This is the same question your
colleagues answered 50 years ago all of them has graduated
and some of them have died you have 30 minutes 30 minutes why are you crying? I said 30 minutes
Welcome to MuseScore in Minutes A series of short videos that will quickly get
you up and running with MuseScore 2.0 I'm Dr. George Hess and in each of
these videos will look at how to use some of the basic functions of the
exciting new version of this program MuseScore is a free and open source
music notation program, that's a great alternative to Finale and Sibelius You can download it for free
at the website shown on the screen Lesson 7 – Tablature and Drum Notation We are going to use the lead sheet now,
to create a simple arrangement I have copied the music into a new score Next we’ll enter the notes for the guitar,
bass and drums in the 1st measure You can enter notes on either the standard staff
or the tab staff And since they are linked, they show up on both staves To enter notes in the tab staff, click the 1st measure Then enter the Note Input mode Choose the note value with the mouse
You can't use the shortcut here You are going to use the up and down arrow keys to move to the different strings We are going to move to the 5th string And then you type the fret number,
using the number keys To advance use the right arrow Now I'm doing this a little bit differently and notice that
I have only entered the notes on the 5th string Now I'm going to use the arrow keys
to move to the 6th string And then I'm going to place an E, an open note,
typing 0 on each downbeat Next I will enter the 8th notes in the bass,
using step entry Drum notation can be introduced using the keyboard
or the MIDI keyboard Select the drum staff, then enter Note Input mode You see the mapping of the drums
on the bottom of the screen We will enter a simple beat with hi-hat,
snare and kick drum In drum notation the hi-hat and the snare
will have the stems going up The base drum will have the stems going down MuseScore will handle this automatically We will enter the hi-hat first Enter Note Input mode and then select the 8th note You notice then in the drum map
that the hi-hat has been assigned the shortcut G So we can just type G and it will enter the note You can also type any key on the MIDI keyboard While the note is selected in the drum map,
and it will enter as well To add the snare drum,
use the left arrow key to move to beat 2 You’ll see down in the drum map,
that the shortcut for snare drum is A Hold the Shift key down and type A Then move to beat 4 and do the same thing Now for the kick drum You notice that the kick drum note is shown in green This means it will be entered in voice 2 Use the arrow key to move to beat one Type 5 for quarter note and then B Now type 4 to change that to an 8th rest and 0 Now type B again type 5 and then B one more time So now is our basic rhythm section parts entered,
we’re ready to create the rest of our arrangement
listen listen in the bush
the djembe the djembe thumb piano the thumb piano
so do the balafons the African drums so do the balafons the
African drums, listen.
This is my African style drumming demonstration for some Girl Scouts. They are so cute and funny with their percussion instruments. percussion music, African drumming, African percussion, David Moadel.
Hi, I'm Pat from Roland and I want to show you the V-Drums TD-07KV. The TD-07KV is a compact drum kit perfect for home gaming, entertainment and honest practice. The V-Drums concept is based on the fact that inside the module there is a collection of virtual instruments and each one can be exchanged for another and tuned and adjusted according to your ideas, just like with acoustic drums. These instruments can be played via attached pads using authentic drum techniques. You don't have to change the game technique at all at V-Drums .
In this video, I'll walk you through everything the TD-07KV has to offer, show you what it can do, and explain key features. First we will look at the individual parts of the TD-07KV set. The V-Drum TD-07KV set consists of a drum stand with attached pads for drums and cymbals. At the beginning, it is good to mention that the TD-07KV set is not supplied with a drum chair, kick pedal or mallets. So you have to buy these items separately. These pads connect to the TD-07 module using a multi-pin connector cable on the module and a series of quarter-inch connectors that plug directly into the pads.
Let's start with the snare drum, this is an eight-inch PDX-8 with a mesh membrane. Roland introduced the reticulated membrane first and is significantly different from other available reticulated membranes. It features two layers of unique material designed to provide natural reflection and impact resistance. It also provides reliable and stable detection of your beats for reliable sound triggering and is also incredibly quiet. The PDX-8 pad also has two game zones. Thus, the membrane makes one sound and the edge triggers the sound of the edge associated with the instrument or a completely different sound. I have a steel snare here now. The membrane sounds like this. And the edge sounds like this. But when I switch to another sound that I prepared before, I can play the sound of a snare drum on the membrane, and choose a completely different sound for the edge. In this case, the bell. Now let's look at toms. We have three identical pads, all of which are six-inch PDX-6A models with a mesh membrane.
They have exactly the same reticulated membrane as a snare, they are only a few inches smaller. However, there is one difference, the toms have only one playing zone, so they make a sound only when hitting the membrane and not on the edge. It is important to know that the voltage of all Roland V-Drums can be adjusted. For acoustic sets, the voltage of each drum is set to a different pitch and tone. However, this creates a different response on the mallet, which is different for each drum. With V-Drums, the pitch varies in the module, but the response of each mesh pad can be easily adjusted by changing the tension with a standard wrench and tightening each screw sequentially, as with acoustic drums. This means that you can have the snare more tense than the first tom and the more tense than the second tom.
And the third is a bit looser. It is again exactly the same as with acoustic drums. The kick in this set represents the KD-10. This is a kick with a textile membrane attached to this unit. Any kick pedal attaches directly to the pad. The KD-10 is stable and offers a realistic response from a much larger bass drum. And it's quiet because it can absorb energy from the impact of a hammer. Now let's look at cymbals. Hi-hats are 10-inch CY-5 cymbals. Hi-hats are unique in that they are two cymbals perched together that can be opened and closed at different intervals for different sounds. Hi-hats are controlled using a pedal, and when I lift my foot on the pedal and play the cymbal, the sound of the hi- hat will gradually change from closed to open. Crash and ride cymbals are 12-inch CY-8 cymbals with different sounds on the edge and on the body of the cymbals.
They are attached to the stand so that they sway during play , thus providing a more natural response. All these pads, except for the kick, which stands alone, are mounted on a compact drum stand. The pipes are made of steel, so they are strong and durable, thanks to the clamps they hold everything in place, they have great strength, so nothing slips out of them and they are also very robust, so you wo n't just damage them. The stand itself has a flexible but compact layout, so you can put everyone and cymbals where you want them, and this layout looks familiar and natural. Now let's look at the TD-07 module itself.
Inside the TD-07 module I have 50 drum kits. Twenty-five of them are preset and twenty-five are custom, it's your space to experiment and build your own kits from the ground up. With the ability to easily change and edit tools within any preset kit. If you want to exchange a snare for another in a preset kit, it's a toy. In the TD-07 module we have 143 instruments, across snare drums, kicks, drums, toms, cymbals, percussion and electronic sounds. Each of them can be adjusted and customized, as I will show you in a moment. It's actually like having your own library of drums and you can use any of them to create kits that are completely unique. Let's see what exactly you can adjust for sounds or instruments with the TD-07 module. As I mentioned, you can easily exchange one tool for another in any kit. And thanks to the membrane and edge function of the snare drum, you can assign different sounds to each zone . However, there is also the option to actually customize each sound using the V-Edit function. Take a kick, for example. Once I choose the sound I want, I can adjust the pitch.
I can add damping. And I can also use an equalizer and need to add bass. I can also use transitional adjustments, so you can add or subtract an attack for a softer or harder sound. Or I can shorten the decay. The TD-07 also offers multi-effects. There are 30 different types and each of them can be assigned to a tool within the kit. For example , I added Reverb to this . Or Distortion. Tape Echo. Or maybe Flanger, just to give you an idea. Another great feature for editing your own sound in the TD-07 is the ability to change the environment. This basically means that you will hear the selected set as if it were in a specific environment , such as a stadium or studio, or you will hear more sound in the space next to the drum set itself. The TD-07 has built-in Bluetooth. There are a few things you can do about it. First, you can connect another Bluetooth device and send audio from it to the TD-07 module.
So you can play audio from your music library or streaming services and play along with the song and hear both the drums and the song in your headphones. You can also watch videos on your device and listen to audio through headphones, which is great for video tutorials. Once the device is paired, all you have to do is turn on Bluetooth and that's it. You can also send MIDI data via Bluetooth, so you can wirelessly record your performance to your DAW and then play your sounds via VST software. If you are specifically interested in running software tools in real time using the TD-07KV, thanks to the ultra-fast startup and low latency of the module itself, the TD-07KV is the perfect companion for such gaming.
In terms of connectivity, the TD-07 module has a USB type B output. This allows you to connect a USB cable to a computer for stereo audio and MIDI transfer via USB. This makes it easy to record drums in your DAW. The TD-07KV also has a stereo input with a mini jack for transmitting external audio to the module via cable and a mini headphone output. The last feature I will introduce is the Coach learning feature. This is a tool to help you really improve your drumming. The module is equipped with a metronome , where you can change the tempo and also change the value of notes and the number of beats per bar, so you can play with different beat foreshadowing.
You can practice with the same metronome in Coach Mode, which offers Time Chech, Quiet Count and Warm-Up functions. Time Check measures how accurate your timing is after a few bars and indicates on the screen whether you hit exactly, are you behind, or ahead. Quiet Count tests how well you keep up the pace, as it misses clicks for one measure. Warm-Up mode is great for warming up your muscles, synchronizing with a metronome, and rehearsing a variety of simple drum patterns before you practice, before a lesson, before you play music, or even before a performance.
So this is the V-Drums TD-07KV, a compact drum kit with great playability, mesh membranes for a great feeling and quiet playing, and powerful features for the best home drumming. You can find more videos of TD-07KV online, or visit an authorized Roland dealer and try TD-07KV live..
Welcome to the second episode.
We are your hosts. Shinwon. Yeoone. [Applause] We have so much to do today. Because we have a lot.
on our agenda today. [Wooseok] I don't want too! [Shinwon] Without further ado, We will commence
today's podcast discussions. [Hui] Will we be moving
to a conference room? [Shinwon] This is our
conference room. It's kind of a free
discussion atmosphere. [Wooseok] It feels like our
own hangout place. So, we should talk about the
overall concept of this podcast. Did you guys think about
what you'd like for the fan audience to hear
from us? [Hui] I've wanted to do
something like Old Pop ♪ Yesterday~ ♪ – using an actual band? [Hui] Yes, inviting an
actual guitarist. Oh, you're a guitarist. We can sing old pop
or do a spontaneous live acoustic jam session. [Wooseok] Wow that'd be nice. [Hui]
We can receive the fan's stories. And sing them a song
that would be fitting for them. [Hongseok] Yes, spontaneously
matching the concept. [Hui] Exactly, it would be
so much fun. So I would be the singer
and Shinwon can be the 'haha'.
[Shinwon] What… is the 'haha'?
Something you wear? [Hui] No, the funny guy. – It means 'hahaha' as in laughing.
– Oh you mean as the host. [Shinwon] Also, we have Wooseok
as a djembe player. [Wooseok] I guess I play
the djembe now. [Shinwon] I was thinking that since there will be
a lot of episodes we could do episodes as
our separate units. [Hui] Oh units.
[Hongseok] Units sound nice. [Shinwon] We can turn on
an old school hiphop beat. We'll receive the rhyming
lyrics from the fans. Then we'll make
a flow with the beat and we'll create an entire
completed song. Seems like it would be fun. Sounds good. [Shinwon] How about you Kino? [Kino] I'd like to do something
that I can be good at. Maybe consulting or something
to do with communication.
I also agree with what Hui said. If we do something musical we could show the fans more
of our musical side. So I think doing that will
be a great idea as well. [Yeoone] Did anyone else
have some ideas? [Hui] I also want to do
variety entertainment. Entertainment that is positive. It'll bring out
continuous laughter Like this, just laughing
'haha'.
[Kino] Right, the viewers would
become positive as well. [Hui] Just like this, 'haha'. [Wooseok] I'm… a little bit
confused. [Laughter]
[Wooseok] For me… Can you hear me out please? Before I make you,
please hear me out. I have a name for the idea
we want to do. It's called DIY program. DIY is becoming a hot trend. [Shinwon] D I Y?
[Wooseok] Yes. We can even do it as
an ASMR. [sound effects] [Hongseok] what is DIY
short for again? [Wooseok] It's DIY. [Hongseok] Yes, but why is it
DIY? [Shinwon] Hold up…
let's try to get this. I'm sure I know this. [Hui] I heard about it too. [Kino] I have no idea.
[Yuto] Dining… [Yanan] No no… isn't it
Do It Yourself…? [Kino] Yeah, it must be
Do It Yourself. [All] Ah do it yourself. [Shinwon] Hongseok didn't know
either. [Wooseok] We can make something
small to begin with. Yeah, something like that. [Shinwon] We have more time
later so let's discuss then.
I think the next part
is probably the most important. [Yeoone] It is… deciding the
name of the podcast! [Wooseok] Yes this is the
most important part. [Shinwon] So important. It follows its names. [Wooseok] The name is the part
that makes people go This seems interesting…
should I take a listen? So it is absolutely
the most important part. I actually have an
idea right now. [Shinwon] Yes, speak comfortably. [Hui] We can just go around
and say our thoughts. [Wooseok] Yes shall we do
that then? [Hui] You can go first.
[Wooseok] I'll go after. [Shinwon] Then Wooseok
can go first. [Wooseok] No it's OK. [Hui] Let's let the
host decide. [Shinwon] OK, then to be fair
let's let Wooseok go first. [Wooseok] Can I say
more things? [Shinwon] No, please just say
the name first. How about just say the name
and explain the idea behind it.
[Wooseok] The name is…
D-easy. It's Daisy. Let's live the day easily. Let's just live life easily
and keep it simple, D-easy. [Yeoone] D-easy, I like it. [Wooseok] Not bad right? [Shinwon] I just thought of one
and it's a similar concept. It's still pronounced daisy. But spelt DAY-Z. The Z is like Dragon Ball Z. It's gonna feel big like 'these
guys prepared like a finale'. It will feel like today is
a special day. Because this show doesn't come
out every single day right. So the day it airs will be
that special Z day. How about Hui? He said he
had something in mind. [Hui] Well, this podcast is
hosted by our group PENTAGON, and we're gonna be showing many
different sides of us.
Individually, we are going to be
doing our own different parts. [Wooseok] So what's the name? [Hui] I POD. [Wooseok] Please leave. Why would I POD be
brought up here. [Hui] I have another idea. Through this podcast we need to
bring great entertainment. We gotta blow up, like
really blow up. [Wooseok] So what is it? [Hui] JACK POD. [Kino] JACK POD sounds perfect. JACK POD sounds pretty good. DAY-Z also sounds really good.
But it can get confused
with our title song. DAY-Zeeeeee. It already has the
Z sounding part. But it has the Zeee. [Kino] OK I understand. [Shinwon] OK, let's hear Kino's
thoughts. [Kino] Mine's really simple –
'Dive Into The PENTAGON'. [Hui] That's way too simple. [Shinwon] How about Yuto? [Yuto] Let me say D-easy
and take Wooseok's idea. [Hui] What? That's so random. You've been doing your shows
like this these days. You've been taking the
easy way out. [Shinwon] Hongseok is really
good with things like these. [Hongseok] Through this podcast. [Hui] I'm so excited. [Hongseok] Right? [Hongseok] Through this podcast. Don’t say ‘Kidney’ (Kong-pat)! [Hongseok] This could be a time
of fairness.
It's an opportunity to
communicate with our audience. PODTAI. – TAI?
– TAI, PODTAI. – PODTAI actually sounds good. [Hui] It doesn't really describe
what we are doing. [Shinwon] What about
JACK POD then? [Hui] There must be something
it could mean… – Like what?
– People are gonna be like what? [Yeoone] Guys guys let's focus,
let's use everything named so far. [Kino] Let's hear Yanan's idea
as well. [Yeoone] OK let's hear it out
and we'll take a vote to decide. [Hui] What about yours Yeoone? [Yeoone] I don't have
an amazing idea. [Shinwon] Then just throw
any idea out there. [Yeoone] There is one
funny one I have. PENTA
HAHAHAGON – OK.
– That one was the best. – Yanan, Yanan. [Yanan] For me… Delicious Feast. – A lot to eat. [Hui] Hey that's
actually brilliant. This is the first Korean podcast
that DIVE has ever had. So Delicious Feast might be
the perfect name. OK since we all said
one idea each. Let's make it a tournament
and choose only two. OK, who votes for
Delicious Feast? – I vote for that.
– I think that's a good choice.
[Hui] Just worried about
the English speakers. It's hard to pronounce.
It'll be romanized. Jin Soo
Sung Chan. That's what I am worried
about. There's not really a word in
English to express that. That is why PODTAI
is so important. Spell it like
POD-TAI. [Hui] JACK POD is
also important then. [Kino] I think JACK POD
is the best fit. [Wooseok] If we use
JACK POD, it feels like we gotta
blow up things. – We don't have to.
– We can blow up our vocals.
[Wooseok] Think about the
best name D-easy. How's D-easy? Those who like D-easy,
please put your hands up. – Yeah it's good.
– I like it. [Yeoone] It's fine to
vote more than once. Now, put your hands up
if you like JACK POD. – I like JACK POD.
– 4 votes, no 5. [Yeoone] OK,
it's JACK POD. To the beginnings of 2021
and the end of 2020. We will be greeting with
the start of JACK POD.
[Kino] Hui, the fortune
follows the name. [Wooseok] That's right
let's blow it up. [Yeoone] So we decided the name
to be JACK POD. [Shinwon] There's another
important decision to make. It's the cover art and opening
jingle song for this program. Do we have anyone who is
confident to volunteer? For the covers, we can use
Kino or Wooseok. The concept of JACK POD
would fit Wooseok more. [Kino] For me, drawing is a very
tedious process.
[Wooseok] I'll try to
sketch one up quick. [Shinwon] Wooseok will then
draw the JACK POD cover art. [Hui] I think he'll be good. [Kino] It really fits
Wooseok. [Shinwon] Wooseok will be good
at drawing. Those slot machine with the
number 777. But we'll be 888 because
there's 8 members. Then there will be an effect
of cascading music. There will be fireworks
and a lot of craziness. [Kino] Slot machine with 888
sounds so brilliant, like an actual jackpot. [Wooseok] 888? Nice, give me
more ideas.
[Hui] The shape of
the machine will be a PENTAGON. [Shinwon] Then while Wooseok
is drawing. We'll be discussing about
the jingle. Because this will be the opening
for every single podcast episode. It is just as or more
important than the cover art. It will bring out
PENTAGON's colors. It has to be around
10 seconds long. [Shinwon] Let's do an
acappella with voices stacked. [Hui] I like that. ♪ ah – PENTAGON ♪ JACK POD. [Hui] I like that. [Shinwon] Don't we have
someone that's good at these? Was it Hongseok? [Hui] JACK POD.
How do you do it? [Shinwon] You kinda have
to block it from coming out.
Like literally block it. Let's just do an audition
and get them to record it. ♪ PENTAGON ♪ I'm running out of breath
you guys gotta come in. [Hui] Yuto can do the
lowest part. [Kino] Isn't it starting off
to low? Raise it a bit. [Yeoone] Let's make the order. – one, two. [Yeoone] Because there's eight
of us, let's split into twos. ♪ PENTAGON ♪ [Shinwon] JACK POD. – That was good. Feels like there was no
energy before we listened. It's like they expect something
and then it's a disappointment. [Shinwon] Please put a
drumroll in the beginning. ♪ PENTAGON ♪ JACK POD. [Hongseok] You got to
put an interval. JACK… JACK POD. OK, shall we record? [Yeoone] Here we go. ♪ PENTAGON ♪ [Shinwon] JACK POD. [Kino] That was perfect. – Done. – Please put the drumroll.
– Make it majestic. [Shinwon] Like the
21st Century movie opening.
[Hui] It's gonna be so cool. [Yeoone] I think we grasped
the entire thing. – Wooseok is not finished.
– Let's give him more time. [Wooseok] It roughly
looks like this. There needs to be
more color. [Hui] That looks cool. – What's with that
face expression. [Wooseok] You know those
casino chips? I've made the chip like
a PENTAGON shape. [Shinwon] Then Wooseok
will finalize it later. I've received a test sheet. It's testing our
group chemistry, and it will confirm how
good or bad it is.
[Kino] About who gets
along with who more right? Sounds like fun. [Yeoone] Then we will
get started right away. As the host, I will
divide both sides into three. [Hui] Sounds good. [Shinwon] Which side
wants to go first? [Hui] We can go first. [Kino] It's like a
chemistry game right? Yes. [Yeoone] I will now start
testing this side's chemistry. 'What if the members are
fighting someone'? 'Do they fight together' or
'Watch for now'? [Kino & Yuto] 'Watch for now'.
[Hui] Fight togeth— what? – What a man.
– You're the best. [Hui] If members and I are
fighting, of course. [Shinwon] What if your
opponent is 190cm and big? [Hui] I've actually thought
about these scenarios. When we lived in the dorms
I slept beside the main entrance. [Kino] Why would you
think about these scenarios? [Hui] I really do.
Shinwon lived in the living room.
If someone came in and suddenly
attacked Shinwon. Then I will run out and
help him fight. [Kino] Why are you thinking
of these random scenarios? [Hongseok] That's why I
leave my door open when sleeping. [Hui] Just in case?
[Shinwon] Please close the door. If you really care about me
please close the door. [Hui] I really think about
these kind of scenarios. What if I'm fighting and I ask
for help but no one comes out? That would feel so
disappointing. [Yanan] I think about that too. What if Shinwon is getting hit
outside our company's office? [Shinwon] Why is it all me? [Hongseok] Maybe it's because you
look the strongest. [Shinwon] So if I'm getting
attacked, would you help? [Yanan] Yes. – Even if he's 190 cm?
– Even if he's 2 meters, yes. [Wooseok] So cool. [Yeoone] I think the next
question is the best.
This is where everything
will make the difference. 'If you have a younger sister,
who would you introduce?' Yanan or Yuto? – Yanan.
– Yuto. – How about Hui? [Yuto] Introduce me.
[Hui] This guy? [Shinwon] This is so hard. [Hui] I choose Yuto.
[Yuto] I choose Yuto too. – So all three choose Yuto? [Kino] Did he choose?
[Yuto] Yeah I said Yuto. – Oh really?
– Our chemistry yeah! [Yeoone] Can you explain to
Yanan about your decision? [Kino] Yanan has to understand.
[Kino] Yuto is really really… [Kino] His consideracy is crazy. [Kino] We would introduce Yuto
more than anyone else. [Yuto] Thank you. Next one 'Free Travel' or
'Package Tour'? [Kino & Yuto] Free Travel.
[Hui] Package Tour. – Package is the best.
– That's the way to go. [Kino] I think he chose wrong
on purpose. [Yeoone] Okay, next one. [Yeoone] 'I usually 'talk' about
my concerns or 'listen'. [Yuto] I listen.
[Hui] I talk. [Hui] Actually, I'm not sure.
[Kino] I'm in between. – You can only choose one. [Hui] I liste— No, I'm a talker. [Kino] I'm a talker. [Yuto] I'm a listener. [Yeoone] Last one. If the youngest was gonna
change for a month… Hui or Hongseok? [Kino & Hui] Hongseok.
[Yuto] Hui. Hmm… a lot of
interesting answers here. First of all, you guys aren't
a perfect match. [Kino] We don't match at all.
Not even a little bit. – No you guys do.
– You guys match well. – It's not too bad. [Hui] No, if Yuto was compared…
I'd choose Yuto right away.
– OK, if you had a younger
sister to introduce, – who would you choose,
Yanan or Yuto? [All] Yuto. – See? You guys do
match well. – They match so well.
– Yeah so perfect. [Shinwon] How about a
bonus question for this side. Who would you guys choose
to introduce to your sister, Yanan or Yuto? [All] Yanan. – Wow that's a perfect match. [Hongseok] It's gonna be
Yanan amongst anyone. [Hui] How about if it's
between Yanan or Hongseok? [Hongseok] Hongseok. [Hui] What the… [Hongseok] Teehee. – Please don't do that. [Shinwon] OK our team… I won't be going easy.
Answer first and then explain. Q: Living without a phone or
a friend for one year? [All] Without a friend. [Hongseok] You too?
[Yanan] isn't it obvious? [Wooseok] Sure OK.
[Yanan] Do you have friends? – The only friend is you.
– You don't have any friends
anyways. – Right. There are no friends. [Shinwon] Next, do you
prefer minimal or maximum life? [Kino] Minimum Life
or Maximum Life? [Hongseok & Yanan] Maximum.
[Wooseok] Minimum. [Hongseok] You're not a
minimalist. [Wooseok] I normally
like being minimal. [Shinwon] Next question.
This one's a bit difficult. Would you rather have Hui
as a father, or son? [All] Son. – He's cute. [Shinwon] This one
is really hard. If we can only bring one person
to a deserted island? Shinwon, or Yeoone? [All] Yeoone. [Yeoone] YES! [Yeoone] COME ON! – It was a really easy question.
– Why? [Shinwon] Let me first
ask this question. Who is better if the
leader changes for a month? Wooseok or Kino? – Wooseok.
– Kino. – There were two Wooseoks? [Yuto] They really match well. – Yeah, this side matches well. [Shinwon] I'm curious about
this one. Why do you like Hui
better as a son? [Wooseok] Well he's already
like a father figure.
I'd like to see what he's
like as a son. [Hui] Do you treat someone
like a father like that? [Hui] How could you treat
someone like a father like this? [Wooseok] You are my
dream and role model. After hearing the question
I thought about it too. I want to receive some huge
education and live that kind of life. – What kind of education? [Kino] The training on
investments. – Didn't you already learn
those things? [Hui] Wow investment learning? [Yuto] Mother, please
do not watch this.
[Shinwon] You've been
dancing since you were so young. [Kino] No I did grow up
without and insufficiency. But if I were to apply the learnings
I would overfill my assets. I would maximize my maximum
lifestyle. [Shinwon] OK moving on then… Why is Yeoone the one person
to take to the deserted island? [Hongseok] Yeoone has strong
survival skills. [Wooseok] That's right. – Even if he gets hungry fast?
– Did you not see him helping? [Hui] Shinwon, you cannot
beat Yeoone.
[Shinwon] But he's a
weak man. – We'll ask the other side.
Yeoone or Shinwon? – Yeoone.
– Shinwon. It's Shinwon. [Hui] We can't live long anyways
might as well have fun. [Hui] The reason why is I can't live long myself
anyways. [Shinwon] OK, how about the
one month leader change question. Why Wooseok? [Hongseok] To be honest, I think it will be a good
experience to have this kind of leader. [Kino] Like a happy, fun
kind of experience? [Hui] I'm actually very curious
what it would be like.
If Wooseok was the leader? [Hui] Do you wanna give
it a try? [Hongseok] Do you know
what he just said? Before we practice,
everyone take a seat. [Wooseok] Take a seat
and massage my legs. [Shinwon] For the hosts…
[Hui] We can ask the questions. – OK OK sounds good. Please ask one by one. [Shinwon] We're not too bad.
[Yeoone] Yeah not too bad. [Shinwon] Our names are
similar too. [Hui] We're gonna start
right away. If members are in a fight
would you fight or watch? [Both] Watch. – That's so harsh.
– No one is willing to help. [Kino] No we'll see first and
then fight. [Shinwon] The loser is
the winner these days. [Hongseok] I will fight
together always. [Yanan] Same here, if you
just watch, you'll die. – I can fight with words. [Kino] If it's fighting to death,
I'm not fighting. [Wooseok] I'll just
report to the police.
By calling. [Yeoone] That is right.
First of all, instead of escalating the issue,
I'll take a step back. To see who is really
at fault here. [Kino] That is the most
mature choice. [Hui] But if it's involving my
members I can't just watch. – I'd definitely fight too.
– Of course in that situation. [Hongseok] If our member gets hit,
I don't think I can be logical. I'll ask the next question. One person to bring on a
deserted island: Yanan or Yuto? – Yanan.
– Yuto. [Yeoone] This one was
a good answer. [Kino] That was a good answer.
[Yeoone] When I'm with Yanan,
we actually… We shared a room
for a long time. There's some things we know
even without telling each other. When we need this…
Done done done. [Shinwon] That's when you guys
won't know if one disappears… And a week passes, you'll call
Yanan and he'll be like… – 'Yanan!' 'Yanan!!'
– Because you guys don't talk. [Yeoone] No, I don't
mean to that extent. – 'Yanan!' – 'Yanan!' [Shinwon] I think Yuto will
work hard until we pass away. [Yeoone] So you plan on
using Yuto as a worker.
[Shinwon] No no no.
To be honest… If it's us two,
I doubt we will survive. But until we both
turn into dust, I think he'll help with
all of his efforts. [Yeoone] That was a
chemistry test for fun. Not sure if it was any help
fitting unit members together. I think it helped a bit. – I think I know who
fits well now. [Yeoone] Then we'll wrap up
our second episode here. We will come back
for our third episode. I was JACK POD's host Shinwon. And host Yeoone. [All] Thank you!
See you all next time! [Kino] This podcast created by
PENTAGON and DIVE Studios can be found on Google Podcast,
Apple Podcast, and Spotify and will also have videos on the
DIVE Studios YouTube channel.
[Wooseok] Click like & subscribe
on the platform you're using. Please go on Apple Podcast if
you enjoyed PENTAGON's podcast. And please give us 5 stars
and leave a review. Please follow DIVE Studios on
Instagram, Twitter, and TikTok. ♪ PENTAGON ♪ JACK POD!.
i'm going to attempt to demystify the drum techniques of three of the most influential producers in electronic music burial boris creature and solomon [Music] welcome to the art of drumming [Music] we will run the clocks backwards we are in 2007 the world was taken by storm by iphone and back in uk another storm was happening created by untrue album of burial the drums were especially loose and organic and patterns were reminders of old jungle and garage beats the funny thing is burial actually use sound forge for creating this album sound forge is not a daw and it's mostly used for sample editing which was probably divided drums were so loose because there were no real quantization so to emulate this in ableton the first thing that we are going to do right click and deactivate the fixed rate burial also states that he didn't know how to use sequencer so we will not use any drum kits everything will be us editing the audio we will start with the kick burial again says that he is aiming for that fishbone with the kicks means that at the beginning of the sample you will see that initial thump and then you will see a tail with the sub so let's start with sampling things around i think this will work for the kick we will turn the warp off all the time when we turn this down the length of the sample will also extend but this is like the thumb of the fishbone so we need something under it to sustain the sub base burial says that he sampled out of the sounds from playstation games i'm gonna go one of my favorites silent hill found this so we have this turn this down so more sub envelope on the pitch so that we can have ryu of course we need a bit eq and now we need to put a bit volume automation to make them pass more into each other and a bit limiting on the first one together now we are still missing that initial temp that we always had let's grab a stick sample from our recorded samples i actually grabbed two this the first one and the second one and now first thing is this snare hit that we always set a pum [Music] let's tune this down send it to the reverb and the burial track is like so it's somewhere in here right i'm a little bit off the grid i don't care you just need to put it the place that you like leave it there there are also back snares in burials track so let's do that grab another sample now i have these different hits i like this dentent so there's two different tones there is perfect so it's let's get that tom dum dun dun dub again from hits this sound turn it down sounded like a tom let's cut this super highs dirty low thumb it's like we start to feel the groove and now we need this weird shakery sound for that i'm going to go to my favorite silent hill game silent hill 4 room let's record that elder sample material same idea chop chop pieces again nothing is really on the grid together okay let's sample that snail with another silent here gunshots on it passes really nice as an ambient sound for the snare together the other thing that burial says he used that ambient sounds just to cover up the lameness of his tunes but it basically kind of acting as a glue between these different ambient sounds this sitting noise but we are lacking the crackle you can actually use the vinyl distortion in ableton to add the crackle and see how this actually glues everything together we need this kind of low-fi sound in our drums i'm going to grip the percussions and add a vinyl distortion from isotope going to the master and adding a pre-amp now the final step is sanding a bit to the reverb altogether so that we can glue everything and if you add the burial box on top of this [Music] almost half of the people who are watching these videos haven't subscribed to channel yet if you're enjoying the video please consider giving a like to the video and subscribe in the channel now we will contrast the burials loose drums with pore spray just tight and glue repetition it tends to have this medium size thumpy kicks and head of things in the track is such a into this kick every time when kick is coming the bass line is going down so the kick and the bass line fits much more together and have like a bigger impact and actually i do it on a lot of channels for drums i do it for shakers i do it sometimes also for pets giving like a good vibration and the second thing is groovy percussions and hats everything is really quantized is but you can do ctrl u and then you can actually move things around a little bit or you can actually also apply a groove afterwards let's say we were going to apply this like the boris likes it to make it even more interesting i'm going to make it polymetric so pick a three quadro of the loop ctrl j and then we're going to loop this his snares and claps always has these extra hits to keep the energy levels up all the time let's put a club first we are making it stereo with eco using house effect but both spreadsheet has this extras right and left all the time things like this now we have two more claps they sound differently the first one pan to the left the other one longer more ambient pan to the right complementing this keeping it really energetic while we are talking about the energy levels another trick that boris does is using white noise to excite the track so everything is turned off the other thing is the noise the main trick is taking this velocity and putting on the cutoff attack and decay so when you increase in velocity it will increase the length and open the cutoff you see that i'm increasing the velocity here so longer brighter shorter darker if you do this in the track it will kind of excite the track now we have to complement this with the hi-hats and the shakers let's put the hats first because we have held off elements in the mid-highs these high hats are really bright and again of course we are using groove pool to make it slightly off beat and now that means we can also use a bit slightly darker shakers without thinking too much about the mixing part much darker compared to the hat and all together we are really building this energy and on top of this there are some organic percussions bridge actually uses a lot of white noise risers here again i have my serum patch no slaters but on the white noise and on the effects side we have a bit coarser and river to make it a bit more ambient and we see the cuddle filter opening up here there is automation and there's a shake and that comes basically from having lfo2 onto level and final piece is actually a very boiler spreader thing and so using return noise to keep everything more like a warehouse feel so i have this return channel so if you start sending things here it will create this washi sound an important thing here of course sachin in this noise of the kick so that we hear this breathing sound so i'm not gonna go in and use compression because belly breaker says that he doesn't do it as a compressor [Music] but what i'm going to do create a parallel chain which i think he does quite a bit so i had this return channel for parallel processing here we have overdrive reverb eq and more drive we assign our drums here so this channel injects a lot of distortion and splash into the original drums so without this one and with it and all together now we are going to replicate the drums of king of the dance lord solomon [Music] as we are on the dance floor we start with the cake for the floor in this case i will also add the base because base is really important for making people dance first we have the sub bass really straight forward and on top of that color base of course we wanted a bit groovier so we'll have a plucky base on top of this and we have this plucky base from hive the first thing is the clap just to give us the tempo but we need the organic collapse for this using different claps to make it even more organicy pan quiet to the right and then the same clap but pan to the left together so we have this beautiful stereo clap sound so we will have one more clap on top of this so if we duplicate this and take this off and this one also in the middle so it creates this really interesting contrast you can actually move this clap around a little bit to give a bit more lagging feel it there's cool trick there but more important than that solomon has this signature toms or organic drums or hand drums found this bongo sample [Music] of course this is not something we can dance quite a bit so we have to chop this around [Music] and here we still follow this slightly off-grid to give a bit more groovy feel together now [Music] with the solomon you will see that there are a lot of attacks out of chops from this congo bongo whatever tom sound that he is using so i found couple of more bonga loops the first one this and here we have another field and then another one here another here and together as we have all those things going on the percussive side the high end tends to be a bit more simpler for the solomon tracks basic hi-hat and a really close hat on top of that deviating slightly from the off beat side and nice shaky loop under it together [Music] and on top of this you will find some random ambient hits to make everything a bit more glued all together with nice ambient reverb together and of course we have to send all these percussions and drums to the reverb make them sit in the same room indeed i have two rooms here one is bigger that i'm sending claps and so on the second one is for the bongos to put them inside the same room and hats they come together beautifully and if we add the scenes on top of that they sound like this [Music] you
Hey, it's Max… and welcome back to my xtreme maxing YouTube channel. I just took out the bongos and it's way cool! Cause I'm way cool. I love the bongos! I'm gonna play a song you gonna love! BONGOS MUSIC PLAYS Hey… don't forget to subscribe and like me on Facebook and follow me on Instagram. And don't
forget to check out all my other videos on YouTube. There is some pretty cool stuff in there. You gonna love it! Oh yeah… I'm such a cool bongo playing dude Yeah… yeah… yeah… yeah… See ya!.
